Bald Soprano Research Paper

A Cycle, A Cycle, A Cycle No one is bald, nor is there a vocalizing soprano. So what is going on in Ionescos The denudate Soprano? Ionesco slowly strips his characters of every last(predicate) things that gear up them religion, roots, the way in which they communicate and at generation, even the functioning of their brains. Thus creating blank servicemans with no individual character who atomic number 18 useless and absurd. Now these people with no concrete definition to their universe are to screw in this gigantic world to the best of their ability. Their lives arent normal ones.Ionesco brings out the ridiculousness in his characters by excluding any solid foundation or motivation for living on earth. oneness very important form of guidance on lifes travel is m. If there was no concept of time then all chaos would ensue and no one would know when anything is to be founding fathere. It is also a key factor to know how to live and cypher alongside time to work with it, non against it. Will they be able to live in some sense of normality or will they be off on their own supernova to be absurd for evermore.Through the use of symbolism, irony and dialogue, Eugene Ionescos, The Bald Soprano pick outs the melodic theme that life is a never-ending motorbike to express the silliness of the human condition. The oscillation of life is symbolized through with(predicate) the quantify to reveal that the characters are stuck in an dateless loop of time. The clock count onms to soak up on a life all its own. It seems to decide when it requires to ring and how many times. The clock rings in a way that is quite shocking to the audience. This is because in the real world a clock does not normally ring 17 times. Nor is it normal for it to shoot out random times that fagt even go in order.In only one moment The clock strikes seven times. Silence. The clock strikes triad times. Silence (The Bald Soprano 2). in that location seems to be no set regimen f or time to equal. Time in the encounter is unorganized and almost absent in its common purpose. In no assertable way could these characters even keep back the smallest possible chance of some normal routine when they have no constant to guide them through. Yes, Time is present but it is not the way in which we calculate it. in that respect is no iterateing pattern in this aspect and yet it still proceeds on which causes an endless loop of lunacy from which they cannot escape.The peculiar thing about it is the characters are not even finding it odd, as this is their notion of normalcy. In the playing period the abnormal is treated as if it were thoroughly normal (knowlson). And its funny because they dont even realize that it never rings the same way or goes in a repeating pattern. The clock is random. It intrudes illogically. There is no logic in the smiths lives. The concept of pragmatism is being distorted and no ounce of sense remains. The characters are flat, broad and general, which clearly emphasizes the absurdity of the human condition trying to find a meaning and purpose to life.Even the primary characters last find out, which is Smith, is so pellucid and typical. The plays cyclical structure accentuates repetition of the illogical happenings in the incompatible world in which the Smiths, Martins, the Maid and the nurture Chief live in. The play includes a circular trajectory that ends where it began (Kraus), thus causing the whole disoriented cycle to inception over and where the characters are involuntarily perplexed for all eternity. The characters live in a world of irony. They are lost in a continuum of memory board loss without even realizing that they are losing their minds.Considering they dont realize, they have no recollection of what has been going on around them and therefore not cognise what their purpose is in being where they are. This constant back and forth concept is for one, ironic because they have no memory of no lo nger having memory, but it is also mind-boggling. Mrs. Smith says, We were expecting them. And we were hungry. Since they didnt put in an appearance, we were going to start dinner without them. Weve had nothing to eat all day (The Bald Soprano 4). Mrs. Smith said she and Mr. Smith were going to eat but they didnt.The characters cant even remember what decisions they made and cant remember to follow them. There is no stable element to guide them along a cool it path. In the real world our memories our like our personal book of stories that hold the events that have happened in our lives. It defines us as a person of who we are in the past as well as who we are now. We as humans also interpret things we experience differently and remember things in different ways. though we rely on our memory and mind quite heavily, who says it is a reliable resource to begin with?Ionesco is pointing towards the approximation that our minds cant possibly do everything for us as well as remember anyt hing and everything we want it to. Unreliability of the memory is a concept that Ionesco wants us to take a look at, and that is a native human failure that is part of our absurdity. As seen in The Bald Soprano the mind isnt of all time a dependable tool that is conducive to everyday living. Our experiences make up our lifes journey and define our being. Ionescos characters do not know who they are and their purpose for living. At the end of the play the two couples switch places.The Smiths become the Martins and the Martins the Smiths. This results in a da capo conclusion with the haggling that had been spoken by the Smiths at the beginning of the play are now being spoken by the Martins (Knowlson). Its ironic how they repeat the story but as different people but with the same name, because what is the purpose of having a name and being somebody if anyone can be anyone? Ionesco brings out inconsistency, which is a major factor in the play and possibly a factor in our lives. Witho ut consistency the lives in which we lead would insufficiency middle and meaning.Ionesco suggests the idea of a normal daily schedule in which a human being can follow and keep order is a necessity. The human condition may seem absurd at times because what really is the point in doing the same thing everyday for as long as we live? The answer is, the consistency in the constant never ending cycle is life, which is why we are living. There may be nonsense in the play but somehow it leads to sense. The ironic statements due to memory loss show the absurdity in which humans possess. Mr. Smith is one who can be categorised as so.Without his memory he puts out ironic phrases without even putting thought to it and this leads to a lack of sentence structure. The play is made up of dialogue that sometimes seems to lack a sense of logic. The phraseology in the play decreases in substance as the play progresses. The language flows independently from meaning (Feal). The words are not commu nicating what they seem to say but rather the underlying meaning, which is found in the way the language is utilize or how really how it is informally used. Language and meaning march to the beatnik of a different drum.The words are separate entities that work independently yet together to convey Ionescos view on language, which is that it is made out to be more than what it is really worth. Language is used as a communicator and the order, or lack of it, in which words are placed, conveys a message of fine insanity. The characters actions contradict words, and their words contradict their actions. Even the title is misleading, since there is no bald soprano in the play (Esteban). Ionesco writes where there is meaning in no meaning, so he probably intended on writing with meaning all along.The characters talk just to talk and they really have nothing of wideness to say. As the play drags on while the structure becomes less and less until dialogue has lost all value and made into mere exchange (Knowlson). The words on the page are out of kernel and have become particles of matter that are floating in the air. The more they talk, the less they are rattling communicating and this is causing the precious tool of language to no longer articulate. Like when Mr. Smith states The pontiff elopes The popes got no horoscope.The horoscopes bespoke (The Bald Soprano 17). The play starts out with sentences that make no sense at all then it breaks down to just words without meaning until finally all that is left is a bunch of frenzied sounds. The characters have gotten quite angry that they lost all ability to communicate that their prate swells up into mushy sound. They live in a never-ending cycle of insignificant discourse. This is Ionesco pointing out the absurdity of how humans converse. The Bald Soprano is a piece under the genre of the Absurd. It is very easy to see why.In this genre a common aspect is that the characters are rapt in an endlessly repeating cycl e. This cycle usually leads nowhere as it is a cycle with no beginning and no end. Ionesco uses this cycle to simulate life. Life is filled with a bunch of meaningless things that fill our everyday lives. Banana. When something is of meaning we know because we have experienced the everyday typical life of a human. Broadway. Dreams. Goals. Thats what we are. Well thats what we should be. Life is beautiful much repeating. Repeating. Repeating. Repeating. We have a set way of doing things and we follow it.We repeat these actions to fill up our lives with substance so that there is at least something there to start with and so that we have the ability to hold out forward and continue. Think of it as muscles. Muscles give our body substance to stand up and it is what allows us to fall upon as well as other necessary functions. In our world we use a clock to stay in touch with time. Time. Timing. Bad timing. Time is a fundamental concept that guides humans through life, gives structur e, as well as ages and heals. We also say funny things sometimes and we do use a language to communicate. It is how we use all these things that matters.